Under 30 at 30 at The Japanese Paper Place

My recent piece, A History of Hunger, will be shown at the Japanese Paper Place's upcoming exhibition Under 30 At 30, which will open during the first week of June.  The exhibition is a small part of the JPP's 30th anniversary festivities, which will include a paper sale, workshops, an open house and more.  They are such a unique local institution and I rely on them for project supplies frequently--I'm so glad they exist!

For more info on the JPP's 30th anniversary, look here.

School Jerks 12" Art

I've been busting my hump for the last week on drawings for the School Jerks 12", which is due out very, very soon. I'm down to the last two drawings and am really losing steam...!  I'll be producing a 11"X17" 3-colour poster of all 17 or 18 drawings for the record in collaboration with Paper Pusher Print Works within the next few weeks.  Very exciting stuff!

Rochester Trip

Took a quick trip across the pond to Rochester, New York last week.  The weather was sort of craptastic (mostly cold and damp), but it was a really cool trip nonetheless.  Rochester is a tiny city, with lots of neat art deco/art moderne architecture.  The Kodak Building, the firehall on Chestnut Avenue and this old Chevrolet dealership (?) turned coffee shop in downtown Rochester's east end were highlights, for sure.

While I was there, I managed to take in a lot of art in both expected and unexpected places.  I went to the George Eastman House (Eastman was founder of Kodak, which is based in Rochester) which is a museum of photography and film situated in an old ivy-covered mansion.  There was an exhibition up which featured a number of photographic medallions from the early 20th Century such as the one above (scooped from the George Eastman House Flickr page).  There was another small exhibition called Ballyhoo, which focused on promotional materials and signage from the golden age of film and was particularly neat.  The one thing that irked me about Eastman House was it's lack of wayfinding information-- after leaving, we realized that we had missed two of the museum's exhibitions entirely.  Rats!

One of our other stops was the Rochester Contemporary Art Center, which had a great show up called Work It: Artists Address Labour and Unemployment.  It was nice to see pieces from Kathryn Clark's Foreclosure Quilt series up in this show, which I had only previously seen through images online.  Also got to meet the gallery's plucky Director, who introduced himself and chatted for a while.  Nice dude!  Don't think that's ever happened to me in Toronto...!

Our first night there, we ventured into the amazing abandoned Rochester Subway tunnel with the friend we were staying with armed with only a single flashlight and about $10 (goes a long way in the U.S.) worth of alcohol . Apparently people go down into the tunnel all the time to explore-- there was a ton of graffiti down there.  The above patch was particularly unusual.

This trip to Rochester made me miss Baltimore quite a bit, and reminded me how much smaller American cities have to offer.  Canadians generally want to go to places like New York City and San Francisco on vacation-- understandably so, but smaller American cities seem to really have their own unique identity and a slew of neat things to check out that can be found pretty easily.  I'm looking forward to going on more quick and dirty trips like this just south of the border in the future-- next up is Detroit, hopefully.

Parallax Scroll at Harbourfront Centre

Went to Harbourfront's York Quay Centre on Saturday to check out this season's exhibitions before they closed on Sunday night.  While I went expecting to get a bang out of the craft department's biennial, LOOK Out (and don't get me wrong, I did...), I was completely blown away by Scott Carruthers' drawing installation, Parallax Scroll.  An immersive barrage of image and text reminiscent of  R. Crumb or Lee's Palace muralist Al Runt, Carruthers' intense drawings reminded me of amazing punk album art.  It also made me think of the internet...except more honest.

Favourite exhibition visited in a very long time.  Thanks, Scott!

Busby Berkeley

I'm working on my second-to-last assignment for school right now on Busby Berkeley's choreography for depression-era musicals, for a seminar class on the topic of Beauty.  The choreography really is a feast for the eyes, which involved not so much dancing as it did posing and the movements of chorus girls in unison and shot from above to create some pretty dazzling living patterns.

In a 1998 documentary called “Going Through The Roof,” Busby Berkeley’s dance routines were described as the “Epitome of Broadway Modernity."  Best known for his choreography in depression-era “talkies” such as Footlight Parade, 42nd Street, Dames and Gold Diggers of 1933, Berkeley’s elaborate routines involving the synchronized movements of chorus girls and revolving stages were crowd-pleasing, ground breaking and highly influential-- echoes of them can be seen in everything from advertising to music videos of the late 20th Century. 

Providing some of the context that surrounded Berkeley’s choreography is important to a reading of his work. Berkeley’s signature work can be seen in films made between the two world wars during the years of the Great Depression, and he was at his most prolific in 1933-- widely believed to be the worst economic year in US history. Interestingly, despite the depression movie attendance was at a high, and depression-era audiences were most attracted to feel-good, codified genres. On a related note, central to the character of Berkeley’s choreography are synchronized, machine-like series of movements that feel rooted in Taylorist and Fordist principles of standardization and assembly line production such as harmony, anonymity and perfection.  A veteran of World War One, many of Berkeley’s ideas also came from military drill formations.  


Above: "We're In The Money" from Gold Diggers of 1933, featuring Ginger Rogers.

City of Craft Spring

There's lots of fantastic stuff on the horizon for this Spring, and this is certainly one of them.  City of Craft now has a large spring show along similar lines as the trunk shows that happen every few months at The Workroom in Parkdale.  I am proud to be DJ-ing this inaugural event at Trinity St. Paul Church on April 21st! The show is 7 hours long-- unfortunately I don't quite have it in me to do 7 hours of vinyl spinning, but I will be DJ-ing live for at least three hours during peak hours.  The rest of the time will be filled with fantastic tunes I've chosen.  Here's the little bluurb prepared about what to expect:

Tara has been DJ-ing around town for 7 years, and has done numerous guest sets on radio.  Past monthly nights included Out of Vogue (2005-06) and Girls Go Crazy! (2010-11) and her new monthly night Strange Notes will begin at the Embassy in Kensington Market in March of 2012, and will continue on the first Wednesday of every month.  For City of Craft's spring show, Tara will be ringing in the sunshine with some sweet pop, rock, bubblegum and psychedelia from the 1960s.  There will be three live sets over the course of the day on glorious vinyl!  Think Beach Boys, Girl Groups, fun pop hits that you know and cool lost nuggets that you don't know!  Rave on!  

Needless to say there will be a ton of fantastic vendors of craft and rummage at this show-- among them  my pals Sweetie Pie Press, Old Weston, Krystal Speck and tons more.   Don't miss it.

City of Craft Spring
Trinity St. Paul Church
427 Bloor St. West
Toronto
April 21st, 2012
11am - 6pm
$1 Admission

Slow Art Day at the Textile Museum of Canada

I am proud to announce that the Textile Museum of Canada has invited me be their host for Slow Art Day 2012. Haven't heard of Slow Art Day?  Don't worry, I hadn't either until they asked me to help them out with it...

Slow Art Day is a worldwide event that will take place around lunchtime on April 28th.  Guests are invited to pay admission to their local participating museum and take their time looking at four or five pre-selected objects from the museum's current exhibitions.  After an hour or so, guests will then gather somewhere for lunch and casually discuss their thoughts about the work.  The point is to take some time to unplug, relax, enjoy yourself, and appreciate some glorious examples of art, craft and creative genius from around the world.  The point is also to gather and talk about art-- no experience required!

On the 28th, we will be viewing objects from the TMC's current exhibitions: Portable Mosques: The Sacred Space of the Prayer Rug and Perpetual Motion: Material Reuse in the Spirit of Thrift, Utility and Beauty.  For more information on these exhibitions, check out the Textile Museum's website.   Objects will be announced to registrants within the next week or so.

After viewing the objects, guests will meet on the TMC Mezzanine for lunch and discussion.  I was thinking in addition to bringing your own lunch, it would be nice if everyone could bring something edible to share with the group potluck-style, if possible.  Also, feel free to bring along any textiles or objects you own that employ reused materials in an interesting way for discussion and admiration.

Preregistration is required-- you can do this here:

http://slowarttmc2012.eventbrite.com/

Hope to see some of you there!  Also, please spread the word!

Image: Indigo Robe from Nigeria (detail), 20th Century